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(Trumpet, vocals, 1908–54) Oran Thaddeus Page surfaced in the Bennie Moten Band as a powerful blues player, often using a plunger mute. He was with the as-yet unknown Count Basie in 1936 and might soon have left Kansas City as one of that fabled band of brothers had he not been approached by Joe Glaser. Glaser was Louis ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The last of the triumvirate of guitar legends who played with The Yardbirds, Jimmy Page became an icon of rock guitarists in the 1970s with Led Zeppelin. Elements of his playing style have been copied to the point of cliché in the years since Led Zeppelin dominated the rock world, but as the originator, Page developed the heavy-metal ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Tuba, bass, 1900–57) By the end of the 1930s Walter Page had brought the usually subordinate roll of the bass to a position of critical importance without substantially expanding its time-keeping function. As a component of the unique Count Basie ‘all-American’ rhythm section from 1936–42, he produced a large, round but never percussive attack, whose ringing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1970–present) Jefferson Airplane’s Jorma Kaukonen (guitar, vocals) and Jack Casady (bass) – together with drummer Bob Steeler – formed Hot Tuna in San Francisco in order to satisfy their interest in acoustic blues. After an eponymous debut album, the group went electric, added fiddler Papa John Creach and expanded its range to become a staple ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1909–2003, German Although he sang Mozart and Strauss, Hotter is best remembered for his definitive interpretations of Wagner. His powerful bass-baritone premiered as the Speaker in Mozart’s Die Zauberflöte, and he returned to this and other small roles well into his eighties. Hotter made his debut in Munich singing Wotan in 1937, and this role, along ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1909–2003 Austrian bass-baritone Hotter’s international career began in Mozart with the Vienna State Opera’s visit to Covent Garden in 1947. He made his Metropolitan Opera debut in 1950 and first sang at Bayreuth in 1952. He was renowned for his Wotan, but he also sang other Wagnerian roles. He created roles in three Strauss operas, including Olivier in Capriccio. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

International fame seemed far away when, in 1983, upstaged by strippers the Red Hot Chili Peppers resorted to playing a cover version of Jimi Hendrix’s ‘Fire’ naked with socks covering their genitalia. This routine was to become a trademark. Anthony Kiedis (born 1 November 1962, vocals), Michael ‘Flea’ Balzary (born 16 October 1962, bass), Jack Irons (born ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1983–present) A longstanding antithesis to manufactured pop, the current incarnation of Oklahoma’s The Flaming Lips – Wayne Coyne (vocals), Michael Ivins (bass) and Steven Drozd (drums) – plough a decidedly odd furrow, at odds with their more ‘traditional’ alternative rock past. Now famed for their live performances, which can feature aliens, giant animals, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

‘Sea Of Love’, 1959 Phillips has always remained a mysterious figure, despite having an almost accidental hit with his self-penned ‘Sea Of Love’. A bellhop, he had written it after the dissolution of his vocal group, The Gateway Quartet, and it reached No. 2 in the US. It was subsequently kept alive, thanks to covers by ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Piano, vocals, 1906–85) Eurreal Wilford Montgomery was born in Louisiana and taught himself piano, dropping out of school to work functions and juke joints. He first recorded for Paramount in 1930 (‘Vicksburg Blues’/‘No Special Rider’) and then for Bluebird and ARC in 1935–36. Often featured with traditional jazz bands in addition to his primary work as a soloist ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

While Louis Armstrong remained a pre-eminent jazz symbol in the public mind through the 1930s, and inspired many imitators (Taft Jordan, Hot Lips Page, Wingy Manone), younger and better-schooled musicians were coming up who could navigate the trumpet with great agility and dexterity. They would break through the perimeters that Armstrong had established in the 1920s and take ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1898–1975) Arthur ‘Zutty’ Singleton was one of the first New Orleans drummers, along with Baby Dodds, to develop a melodic approach to the kit and the concept of the extended drum solo. He played in the second configuration of Louis Armstrong’s Hot Five, appearing on OKeh recordings cut in 1928 (including the landmark ‘West End Blues’), ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The 1940s encompassed a wide range of musical art, reflecting extremes of economic hardship and recovery, global war and rebuilding. Empowered by necessarily full-tilt production, US industry recovered from the Depression, though the cream of its youth was siphoned off to fight on distant fronts, and returned to a strange new world. Great Britain suffered air ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The ground-breaking literature of the twentieth century had a major impact on composers, particularly in the 1950s and 60s. The work of Berio has consistently drawn upon the works of James Joyce for parallels between verbal and musical technique, particularly ‘stream of consciousness’ chapters such as Molly Bloom’s soliloquy from Ulysses, while Barraqué based his entire later output ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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